May 19, 2012

Why Ask Why

Anyone who has, or has been around, a young child, knows what his/her favorite question is: why.

Why is the sky blue? Why does a dog bark? Why do I have to wear a hat and gloves? Etc., etc.

Asking “why?” is innate to a youngster. For adults, the persistent questions are enjoyable at first, but can eventually become draining. Little by little, as many youngsters mature, the questions come out less and less — as if they feel their parents’ impatience or maybe feel they are “too old” to be asking why.

However, you can never be too old to ask “why?”, and when it comes to learning — and teaching — baseball, you should always be asking “why?”.

When you ask “why?”, you learn something new, and you have a more complete understanding of the task at hand. (Note: the purpose of “why” is not to challenge an instructor; rather, it is to better comprehend what the coach wants you to do.) For example, a coach may tell a pitcher to land with a more open toe. If the pitcher simply plays good soldier and does as he’s told, without asking why, he’ll never understand that the purpose of landing more open is to allow his hips to rotate, add more torque to the pitch, and prevent arm injuries caused by throwing across the body. Human beings are not robots, and therefore should not take directions as if they are brainless machines. Understanding the reason you are doing something will help you succeed at the specific task, and more importantly, give you an overall picture or image of the entire action — be it throwing, catching, or hitting a baseball. Comprehensive understanding will result in faster, longer-lasting results.

Likewise, it is just as important for the coach to ask “why?”. For example, before you start telling a hitter to keep his hands inside the ball, understand exactly what that means and why it is important. If you don’t know, ASK. Anytime you pick up a catchphrase, learn a new drill, or hear about a specific mechanical action, ask what it means and why it is important to your ballplayers. This may sound obvious, but I can tell you from experience that there are plenty of baseball coaches preaching all kinds of philosophies, yet have no idea why those philosophies are important.

As a case in point, I can remember being 13 years old and my Babe Ruth League coach giving me all kinds of hitting instructions. “Get you elbow up!” “Keep the bat still!” “Don’t hitch!” were just a few of his commands. At the time, I had no idea why he was telling me these things, but to prevent from looking stupid, I never asked. I simply presumed that he knew better than me, and if I did what he said, I’d be a better hitter. As it turned out, all of his instructions were detrimental to my style of hitting, and my refusal to ask kept me in the dark as far as the hitting process went — I learned nothing in that year other than to take orders. But I didn’t find that out until years later, when I stopped worrying about looking dumb and starting asking “why” again.

Again, I’ll reiterate: the point of asking why is not to challenge, but to understand. When I got to college, my coach Bruce Sabatini instructed me to “hit down to the ball”. I asked why, and he answered, “it’s a shorter path to the ball. A short path means quicker hands, which means you have more time to decide on whether to swing.” He also asked ME WHY I kept my elbow so high. I responded, “I don’t know, someone told me to do that so I did it.” He considered this, and then suggested, “if you keep your elbow up there, it’s going to promote a long, loopy swing,” and he proceeded to show me the difference between a swing started with the elbow up and the elbow down. The light went off in my head, and finally I understood something about hitting. Had I asked when I was 13 why I must keep the elbow up, my coach might have given something to the equivalent of “because that’s the way it’s done” — in other words, he never asked why, and therefore never fully understood the mechanics of hitting a baseball.

At the same time, my Babe Ruth League might not necessarily have been wrong — there might have been a good reason to keep the elbow up. But since I never asked, I’ll never know. Maybe he thought a big kid like me would benefit from a loopy swing; after all it would enable me to get under and lift the ball — as in over the fence. But for five or six years I never knew why I was keeping my elbow up there.

The point is, if you are a coach, and you are presenting a mechanical change to a player, you should have a full understanding of why you’re doing it, for two reasons. First, because you need to know that what you’re changing is going to help that particular player. If you don’t know the reasoning behind a specific “absolute”, then you have no business applying it to a player — for all you know it might make things worse. Secondly, if you do know why, then you can explain the reason to the player, and he will 1) have a better understanding of the concept; 2) buy into the idea; and 3) trust you as an authority. All three of these factors lead to quicker progress and long-lasting, positive effect on performance.

Think about the last time you went to the doctor or dentist. He/she gave you a diagnosis of your problem and a recommended cure / solution. Then, you likely received a detailed explanation why that course of action was recommended — in some cases, a little too detailed for a weak stomach! This is a tactic to get you more comfortable with the procedure or medication being prescribed. As a result you “buy in” because there is logic behind the plan — a reason WHY. And naturally you’re going to trust a doctor who is so thorough with his analysis and recommendation. It’s a very similar situation between player and coach. You, as coach, need to have full understanding of the player’s current condition, and the proper “cure” for any malady. When both the coach and the player understand the issue, and the “why” behind the solution is easily accepted, and quickly adopted — a win-win situation for everyone.

Players, the next time a coach tells you to do something that alters the way you throw, catch, or hit, ask why — with politeness and passion to learn. Coaches, the next time you learn something from a clinic, video, or book, ask why that’s the right way. Remember, this is a kid’s game, and often it’s good to employ some of those instincts (such as asking why) you had as a kid.

Hitting: Offseason Strength Training

Despite the MLB’s influx of muscleheads, the truth is, you don’t need to be musclebound to hit for power. This has been covered here before, so we won’t waste space.

While excellent mechanics will do more for your swing than your “max” bench press, there’s no question that strong hands, wrists, and forearms will also help your bat speed and power. Guys like Don Mattingly, Cal Ripken, and Henry Aaron were fairly slender, but had Popeye-like forearms. Combine strong, quick wrists with a good weight shift and hip rotation, and you’re on your way to hitting with gap power and homerun power — regardless of your overall size.

Luckily, expensive equipment is not necessary for building up these “bat speed” muscles. In fact, there are some very beneficial exercises that can cost nothing at all. Further, you don’t need much space; most forearm and wrist exercises can be performed while sitting in a chair — even in the passenger seat of a small car.

Oh, and these are good exercises for pitchers, too. Most of these exercises for the forearms and wrist can be helpful to your curveball, and they also build up the muscles around your elbow, which may help prevent injuries.

Another thing, your hand and wrist strength can improve dramatically over a fairly short amount of time. And, because these muscles tend to recover more quickly than larger muscles in your body, you can do these exercises every day — though 4-5 times per week will probably yield the best results.

Newspaper Crumple

Sit at a table and lay out a newspaper on a table, opened up to the middle page. Place it just barely within reach of your fingertips with your arm lying down on the table, elbow at edge. Using your fingertips, and keeping your forearm flat on the table surface, pull the newspaper into your palm, crumpling it, until you’ve pulled in the entire page. Repeat until you finish the entire section, then switch to your other hand. The only bad part about this exercise is that your hands get full of ink; luckily it will wash off easily with soap and water.

Arme Super Wrist RollerWrist Rolls

This may be the singlemost effective piece of equipment for building forearm and wrist strength for baseball and softball, as it involves all the muscles you use in your forearms to swing a bat. You can buy the equipment and see examples on Amazonand at this site. Starting with the weight on the ground and rope completely unraveled, hold the dowel / handle end with an overhand grip (knuckles up) in your fingers in front of your chest, arms straight out and parallel to the ground, elbows locked or nearly locked. Slowly ravel the rope by twisting the handle with only your wrists and hands until the weight is lifted to the very top. If you do it right, and the weight is heavy enough, you should feel tension or even a burning in your forearms and wrists. Start with 1-3 lbs. of weight and work your way up in 1-2 lb. increments when you can do three sets of ten easily.

Now, if you have access to a drill, you can save yourself quite a bit of money and build one of these gadgets yourself for about five bucks (like we did in the old days). Cut a broomstick in half or buy a dowel at the hardware store and cut it down to about 12-18 inches in length. In the middle of the dowel, drill a hole all the way through, then thread a length of rope (about 3 feet) through it. (You can steal your sister’s jump rope or get the guy at Home Depot to cut you a length of “utility rope” — just make sure it’s strong enough to hold a five-pound weight and skinny enough to fit through your hole.) Tie a good knot to secure the rope to the dowel, then on the other end, tie a small weight (you can buy loose plates at most sports stores).

Squeezes – rubber / tennis ball or grips

Next to the wrist rolls, this is one of the most effective means of building your forearm muscles. I like the Heavy Grips brand, because the handles are welded to the spring (and thus won’t start slipping around after using them a while), and they come in varying, measured resistance. If you’re in high school or older, and serious about forearm strength, get the whole set of 100 – 350 lbs. and follow the recommended exercise routine from the manufacturer (I have, and experienced good results).

Spalding Hi-Bounce Ball. (EA)If you don’t have the money for the Heavy Grips, you can still squeeze your way to success by using one of the pink rubber balls you get at the dollar store (oldtimers called them “spaldeens”), or from squeezing a tennis ball (like Ted Williams did).

Fingertip Pushups

You may already do push-ups as part of your routine, so it won’t be a big deal to mix in a set of “fingertip” pushups. It’s exactly what it sounds like — pushups done with your palms off the ground, holding up your weight with your fingertips. Try them right now, and you’ll feel the muscles in your fingers and hand helping out immediately.

Pull – Ups
(under and overhand)

Lifeline 4 in 1 Chin Up BarHanging from a bar is a great way to stretch and loosen your arms and back muscles. Going the next step and pulling yourself up to do a chin-up / pull-up works nearly all of the muscles from the waist up, front and back — including your forearms. Be sure to do both overhand and underhand pull-ups, so that you work all muscles. If you don’t have access to a good bar, there are several types available from Amazon, including some that are installed inside a doorway.

Wrist Curls (dumbbell or barbell, under and over)

If you have access to a dumbbells or barbell, this is an easy exercise to incorporate into your routine. In a sitting position, rest your forearms on your thighs (or kneel behind a bench, resting your forearms on the bench), parallel to the ground, and hold the barbell or dumbbell in your fingers, palm(s) up. Keeping your forearms flat on your thigh / bench, pull the weight up using only your wrists. After a set of ten, drop the weight a bit and reverse your forearms so that you have an overhand grip. Do another set of ten, again using only your wrists.

concentration curlDumbbell Curls

You probably are already familiar with this exercise — it’s the one that is also known as a “concentration curl” or and it makes biceps bigger. In addition to impressing the girls by flexing “your muscle”, these exercises will help build strength in your forearms as well.

Reverse Curls

If you already do “preacher curls” or simply “curls” with a barbell or curl bar, then make sure you do twice as many sets using an overhand grip — a.ka. “reverse curls”. You’ll likely need to take off some weights, as you’ll be isolating your forearm muscles and won’t get much help at all from your biceps. These don’t do much for your “muscle”, but will help your batting average.

Isometrics

isometric exercise for wristsWhen you’re just sitting around, doing nothing, and have no access to weights or grips or even a tennis ball, you can still do something: isometrics. With your right arm bent at the elbow (forearm 90-degree angle from your bicep) and palm up, push down on your right palm with your left hand. As your left hand pushes down, push back / resist with the right hand by pushing up. Push and resist for about 10-15 seconds, rest, and repeat in the opposite position (left palm up, right palm down). You can do similar exercises for your wrists by holding your fingers back and pushing against the “hold” using your hand and wrist.

Bucket of Rice or Sand

If you live near a beach, fill a bucket with sand. Plunge your hand into the bucket and squeeze the sand with your fingers into your palm. You can do the same thing with a big stockpot filled with cooked and cooled rice. Steve Carlton used to squeeze a pot of rice after every start.

Baseball Offseason: Read, Watch, Participate

For many, the baseball offseason is not only long, but dormant. While there are some areas of the USA where baseball is played year-round, the rest of us have been suffering from cabin fever since mid-November, waiting for the snow to melt and/or the weather to warm up.

However, just because you can’t get outside, doesn’t mean you have to go into total hibernation. There are several ways for both players and coaches to continue progressing. Following are a few ideas.

Read Baseball Books

There are many, many worthwhile baseball books that are focused on improving your game as a player or coach. Perhaps the most important reading for anyone involved in the game is the Official Baseball Rules 2006 Edition (Official Baseball Rules)Official Baseball Rule Book. I’m amazed every time I find out a player or coach does not own a rule book, and has never read it. If you are serious about succeeding at anything – be it a driving test, chess match, board game, or an athletic competition – you have an immediate advantage over your opponent by knowing the rules inside and out. Those who don’t believe this statement are people who have never read the rules, because you need only peruse 2-3 pages before you find something that could either win or lose a game for you. It’s also good for your case to actually know a specific rule before arguing it over with an umpire.

Further, if you compete in a league that does not abide by the MLB Official Rules (i.e., Little League, NCAA, Babe Ruth, Stan Musial, men’s leagues, etc.), then by all means get a copy of your league’s rule book ASAP and read it from cover to cover. There will definitely be rules that can adversely affect the outcome of a game — for example, player substitutions, speed-up rules, and bat dimensions are just a few.

After reading your league’s rule book, you can move on to any of a number of books focused on improving your game. The first serious book ever written on hitting a baseball remains fundamental to any batter’s success: The Science of Hitting by Ted Williams. Likewise, Tom Seaver’s The Art of Pitching was one of the first of its kind and remains a classic. However, there have been dozens of valuable books published on both subjects since these timeless titles, written from different perspectives and with varying degrees of detail. Some are packed with full-color photographs demonstrating proper form, and others are more textual, delving more into philosophy than mechanics. All types are worthwhile, in my opinion — in fact any opportunity to learn is valuable toward becoming a better ballplayer or coach.

See a collection of books I recommend on Pitching, Hitting, and General Baseball.

Watch a Baseball Video

Since not everyone is a bookworm, and you can’t always learn certain things by reading and/or looking at a still photograph, a baseball video is worth passing time in the cold offseason.

Generally, I’d stay away from intensive examination of slo-mo video of MLB hitters and pitchers — an exercise that has become an obsession in the last 5-10 years among some dads and youth league coaches. Though it can be helpful to study the swing of Albert Pujols or the mechanics of Roger Clemens’ windup, for the most part it is an exercise in futility to try and impart a specific professional’s style on an amateur player. Everyone is different, and due to their physical makeup will have their own individual path to success. But more on that in another post.

Rather, try to get your hands on instructional videos from respected sources. Cal Ripken, Jr. and his brother Billy have put together three excellent videos that demonstrate the absolute fundamentals of playing the game. There are plenty of other good videos out there – all you need to do is make a quick Google or Amazon search on baseball videos, check a baseball forum for suggestions, or speak to your friends in baseball for suggestions. You’ll find some hard to locate, or prohibitively expensive, but most are affordable, many can be rented from a video store, and a surprising number can be accessed for free. For example, I watched all the Ripken Way videos on my PC for free via download from the New York Public Library website, and have watched a few other videos through my cable company’s “on-demand” free titles.

Participate

In the northern sections of the USA and in Canada, it can be next-to-impossible to get outside for any kind of baseball activity from late November through early March. However, most areas have indoor facilities of some sort — at the very least a basketball gym or fitness center. While it’s true that any available indoor facilities can be difficult to use while other sports (basketball, wrestling, gymnastics, volleyball, etc.) are in season, sometimes you can get access at an unusual hour (early in the morning or late at night) if only you ask. If not, the next best thing (and perhaps most obvious) is to follow a cardio and/or weight training program. Swimming and martial arts are also excellent activities that will keep you in shape. Finally, there is the old “if you can’t beat ‘em, join ‘em” option — by joining an in-season sport. Join the wrestling or swim team to build up your core muscles while also enjoying the rush of competition. Many schools have a “winter track” team, which in essence is a daily two-hour license to use the weight room and gym for conditioning.

In addition, the winter is usually the time (in the northeast, anyway) when baseball clinics and indoor camps are in full swing. Though not everyone can afford private lessons with an instructor, most areas have a local facility that holds weekend mini-camps and clinics. At the very least, you’ll get a few swings or throws in, and maybe learn something along the way. Not to be left out, coaches can also attend coaching clinics. If you can travel to it, a number are available at the annual baseball convention, but there are also clinics held by colleges. There are even some available online.

Some places to start looking include:

Clinics section of the Baseball Links website

America’s Baseball Camps

Baseball Corner

Baseball Tips – Resource Directory – Baseball Camps

You will also find camps and clinics by asking friends and coaches, checking your local newspaper, or searching the internet.

Catching: How to Frame

Nearly every young catcher I meet is either proud to show me how well he can “frame” a pitch, or he wants to know how to do it.

So here I will teach all about framing, for the masses who do not have the pleasure to learn from me. However, you may be unhappy with what I have to say.

The best way to “frame” a pitch is to catch the ball where it is pitched — and don’t move!

That’s right — no turning the wrist, moving the body, or otherwise “easing” the ball into the strike zone. Just catch it and “stick it” (meaning, hold it there — “sticking” is a term stolen from gymnastics, to describe a gymnast holding his/her form at the end of an exercise).

While you may on occasion run into an umpire who will call strikes when you pull a pitch into the strike zone, the better umpires — which you will hopefully see as you reach more advanced levels — will be wise to your ways and nearly always call “ball” when they see you move your mitt.

The best thing you can do as a catcher to help your pitcher — and the umpire — is to catch the proper half of the ball (left, right, or top) with soft hands and HOLD your mitt exactly where you catch the ball. Even if it’s an inch or two out of the strike zone, just HOLD IT THERE. Give the umpire a good one- or two-second look at where the ball is. By doing this you are putting coins in the umpire�s trust bank; little by little he will trust you and where you receive the ball. Build up this trust over the course of a game, and maybe — just maybe — you will be able to ever so slightly ease a pitch an inch or two over to the left or right and into the zone.

So I lied, sort of. There is an art to framing a pitch into the strike zone, but it is an advanced skill, and one that should be used sparingly — like once or twice a game at most. And actually you “frame” more with a lateral, subtle move of your body than with the glove. The problem with learning to frame is that most young catchers (old ones too — watch Mike Piazza) will try to pull nearly every ball into the strike zone. This only irritates the umpire and causes him to eventually disregard the end of the ball’s flight.

Rather than try to force pitches into the strike zone, a better plan is to attempt to catch the ball when it passes through the strike zone. Coach Dave Weaver uses a term I like; he says “beat the ball to the spot”. Again, this isn’t something you can do on every pitch — unless you have a guy like Tom Glavine who is always around the plate. Most pitches will move a bit — to the left, right, or vertically — and sometimes you might be able to catch the ball just as it’s passing through the strike zone. At times this is early, so you need to reach out to get it, while other times you will need to keep the glove back and receive the ball deeper, after it breaks. We’re talking a matter of inches here, not feet, and your ability to decipher whether to reach or wait will come with experience — both your own and your time with a particular pitcher.

Try it next time you’re catching a pitcher in practice. Pay close attention to the movement on that pitcher’s pitches, and learn to anticipate its mild breaks. Try to figure out ahead of time where the ball is going to pass through the strike zone and “beat it” to that spot with your glove. Remember to keep soft hands, and make gradual movements — as opposed to jerking at the last second to snatch the ball. Receive the ball and hold it, so the umpire can take a picture of it. The umpire will thank you — and so will your pitcher.

Hitting to the Opposite Field

If you have watched the NLCS between the St. Louis Cardinals and New York Mets, you may have noticed that a few of the Mets hitters — specifically power hitters Carlos Delgado, David Wright, and Shawn Green — often hit the ball the other way. While you may expect to see “spray” hitters such as David Eckstein and Paul LoDuca hitting to all fields, you don’t expect to see the big guys hitting to the opposite field.

Historically, sluggers have been dead pull hitters, mainly because redirecting a pitch over a wall 300-325 feet away is an easier task when you’re only aiming for one wall, therefore zoning one area (inside, a foot in front of the plate), and getting full leverage of the bat to the baseball. Interestingly, there’s always been a bit of machismo involved — as it takes some muscle to power a baseball 300+ feet — yet, ironically, it takes more strength to hit the ball over the opposite-field fence (or a 400+ foot centerfield wall, for that matter).

Today, however, the sluggers such as Delgado, Wright, Ryan Howard, and Albert Pujols are both stronger and smarter than the Dave Kingmans and Harmon Killebrews of yesteryear. The modern hitter recognizes that the advantages of hitting to the opposite field far outweigh the disadvantages.

First and foremost, hitting the other way allows you to see the ball much longer — and thus makes you less susceptible to sliders, change-ups, and similar “trick” pitches that break late. Watch Shawn Green in particular, and you will know exactly when he is considering opposite-field hitting by the pitches he takes — they almost always will be sliders dropping in the dirt off the plate for a ball. Green’s big swing and reaction time has slowed down some as he’s aged, so he needs to guess more often to pull the ball for a home run. Therefore, you’ll sometimes see him swing and miss wildly at a breaking ball — that’s when he’s guessing fastball in and looking to jerk it. More and more, though, he’s been waiting on pitches, getting into good hitter’s counts (1-0, 2-0, 2-1) and dropping outside-half strikes into left field for base hits.

On the other hand, Carlos Delgado’s bat hasn’t slowed much, but he’s been hitting to left field his entire career. Remarkably, opposing defenses have often employed the “Boudreau Shift”, lining up three infielders to the right of second base. Perhaps their reasoning is that they’d rather see Delgado punch one to left than look to pull one into the rightfield seats. However, Carlos Delgado has the muscle to hit the ball over any fence, in any direction, so the shift only further motivates him to wait longer and decide whether the baseball is in a good hitting zone. He also has much larger holes to aim for.

Youngsters would do well to study the approach and swing of David Wright, who is very similar to Derek Jeter in that he tends to frequently “inside-out” pitches. That is, he pushes his hands forward through the hitting zone, but leaves the barrel head back. While this style might rob you of some power, it enables you to wait a little longer, and still get solid wood on almost any pitch. The only pitch that will be difficult to handle is a very hard sinking fastball running in on your hands — but few pitchers throw such a pitch with good velocity and success. Hitting with an “inside-out” swing, you almost always will be hitting the ball to either center or the opposite field, as a function of the bat angle. While Jeter uses this approach on nearly every swing, Wright most often employs it when he has two strikes against him. This is a good strategy for a power hitter, as the outfield will tend to play him deeper, and the inside-out swing will usually produce less powerfully hit balls that drop in front of the outfielders for hits.

Kokoyakyu: High School Baseball in Japan

Last week (on July 4th) I watched the premiere of Kokoyakyu: High School Baseball on PBS. It is a documentary covering high school baseball in Japan, and specifically, “Koshien”.

Koshien Stadium is the home field of the Hanshin Tigers, except for two weeks in August when it hosts Japan’s national high school baseball tournament. Koshien, therefore, is the symbolic name of the tournament itself, and the mere mention of the word to a high school baseball player may very well elicit a smile, tears, or both.

I highly recommend this film to anyone who coaches or plays baseball (at any level), for several reasons. First, it’s a well-done, entertaining, and human account of the Koshien experience (and an insight into Japanese culture), from the perspective of the players, the coaches, and the fans; the director does a wonderful job of making the movie personal by capturing the emotions of each individual featured / interviewed. Secondly, the film exposes the remarkable passion exhibited by the people involved in baseball in Japan — be it a player, a coach, or a cheering squad member (yes, there are baseball cheerleaders in Japan, and they take their role VERY seriously). Unlike in the US, where the passion to win can be confused with the notion of “winning at any cost” and poor sportsmanship, the Japanese coaches and players hold a high respect for the game, playing it correctly, and honoring their opponent. How serious are the Japanese in regard to sportsmanship? As an example, at the end of one game, the losing team and their cheering squad sang a congratulatory song to the winning team.

In addition to passion and respect, there’s another virtue of Japanese baseball demonstrated in this documentary: dedication. Any US high schooler who thinks he works hard at baseball might have a different view after seeing this movie. In Kokoyakyu, there are several examples of players who have team practice for 6-8 hours per day, then practice another 2-3 hours when they get home. Now I don’t necessarily believe that 16-year-olds should be practicing baseball to those excesses, but I think this drives home the point that you will get out of baseball, what you put into it. Anyone who is trying to eschew the “instant gratification” fix plaguing many of today’s youth can point to this film and the quite opposite Japanese philosophy. While the Japanese want to win as much as anyone else, gratification comes more from the dedication, commitment, and hard work than the win itself. When a team loses (in Koshien, it is single elimination), the coach and the players commonly believe that they did not work hard enough to earn the win — as opposed to blaming a loss due to an umpire’s call, a bad day, or a “lucky” hit.

An interesting tidbit from one of the coaches: “When the team loses, it is the coach’s fault, not the players’ fault. It is the coach who prepares the players to win, and if the game is lost, the coach has failed.”

There’s nothing similar to Koshien in the USA — which is probably a good thing. The single-elimination tournament begins with about 4000 high schools throughout the country, and the final two weeks (held at Koshien Stadium) attract more attention than the Japanese professional version of the World Series � partly because the tournament has been around longer, since 1915. The only amateur series that compares in scope would be the Little League World Series; however, that corrupted travesty of a tournament has a long way to go in terms of respect and honor. The cheating and mishandling of youngsters that has gone on in the LLWS gives some idea of what could happen if the US had a countrywide high school tourney; the notion of winning here seems to operate on the philosophy of “the ends justify the means” — not at all what Koshien is about.

If you haven’t seen this documentary, keep an eye on your PBS station’s schedule; it’s a film you don’t want to miss. There is more information available on the PBS home page for Kokoyakyu .

Establish Your Fastballs

Whenever I start working with a young pitcher – the first thing I ask is “what pitches do you throw?”. Invariably, — be he a 12-year-old Little Leaguer or a 22-year-old college hurler — the pitcher claims to throw at least three or four pitches in addition to “a fastball”.

Without going any further, let’s clear up a few issues. Just because you think you know how to throw a particular pitch, does not mean it should be part of your repertoire. Too often a pitcher tells me he throws a curve, a changeup, a splitfinger, a knuckle-curve, a sidearm curve, and a cutter, yet when that pitcher gets on a mound, he can’t throw any of these “pitches” for consistent strikes. If you’re not throwing a pitch for strikes at least 75-80% of the time in practice, then don’t bring it into the game.

Furthermore, no one who calls himself a pitcher should throw only one fastball. Unless you are a knuckleball pitcher, your fastballs are your most important weapons, and you should establish at least two or three in your repertoire.

First, of course, is the straight fastball, also known as the “four-seam” fastball or “four-seamer”. It’s thrown by loosely gripping the ball across the widest seams and releasing with a straight snap down of the wrist. This is the fastball you throw most often in practice, as you use it to get your mechanics in order. If your grip and release are correct, and your mechanics are good, you should be able to throw this pitch for strikes with your eyes closed — literally. If you can’t, then there is likely a problem with your mechanics, and it will be easy to figure out the issue by isolating a few checkpoints in your motion (more on that in another post).

The second fastball you throw should be a two-seam fastball, preferably either a “down and in” or a “down and out”. This is a fastball that rides (or “runs”) down toward the ground and either in toward a righthanded batter’s hands or away from a righthanded batter. (We use a righthanded pitcher and a righthanded batter as a standard frame of reference; thus a “down and away” fastball from a righthanded pitcher will actually move in toward a lefty hitter.)

A “down and in” or “down and away” can take anywhere from 5 minutes to half an hour to teach. However, it can take a few weeks of consistent practice to really learn. We’ll go over these fastballs in a future article; the point today is that you should learn at least one if not both of these fastballs before moving on to another pitch.

Another fastball to consider learning — after you’ve commanded at least the four-seamer, a two-seamer, and a changeup — is a rising fastball. Pitchers who throw at good velocity for their level of play (50+ MPH at Little League, 75+MPH in high school, 85+MPH in college), will find it beneficial to throw a rising fastball after they learn a change-up. Essentially, it is a four-seamer, but thrown to a higher target. With practice, you can get it to appear to rise, and makes for a good 0-2 or 1-2 pitch to hitters that like to “climb the ladder”.

Once you have established at least three fastballs in your repertoire, you can compete in a game at any level, at least for a few innings. Add a change-up to your arsenal of command, and you will have enough to dominate hitters most of the time. Understand that “establish” or “command”, means that you can locate a pitch where you want consistently — meaning at least 75% of the time.

So again, for those looking to “add another pitch”, stop looking. Instead, evaluate what you’re currently throwing, and ask yourself these questions: “do I truly command these pitches? Can I spot a fastball where I want, anytime I want, with movement? Can I throw a four-seamer for a strike with my eyes closed?” After you’ve honestly answered “yes” to all three, then consider adding another pitch to your repertoire.

Check back here in the coming weeks to learn how to throw various fastballs.

Book Review: The Science of Hitting

Science of HittingTed Williams was the greatest hitter who ever lived … or at least, that’s what he kept telling himself. All kidding aside, the “Splendid Splinter” was probably one of the top five hitters of all-time, if not the best. This book — one of the few of its kind when it was originally published — is packed with all of Teddy Ballgame’s theories and philosophies in batting a baseball.

Compared to some of today’s ultra-intensive hitting books — some of which break down batting mechanics to specific timings, angles, and checkpoints — this thin paperback may seem vague and unscientific. At the time it was written, however, it was considered state-of-the-art, and provided the basis for nearly all other hitting theories that followed.

One of the main philosophies that Williams brings forth in this book is the strategy of understanding what areas of the strike zone you can handle, and waiting for pitches in those zones. In other words, he found a correlation between the best hitters and their focus on pitch selection. Although many coaches think Williams’ theories cause a batter to be less aggressive, there are just as many who think patience is key to a batter’s success. One needs to look no further than Billy Beane and the Oakland A’s organizational hitting philosophy to see that the preachings of Ted Williams are still followed today.

Personally, I’ve read this book from cover to cover dozens of times, and pick up something new every time. It’s not often that one of the greatest athletes — in any sport — gives away all of his secrets, and this book holds back nothing. Though some of the ideas in this book might not apply today, the majority of the teachings are timeless, and presented in an easy-to-understand format. I recommend it fully as a necessity on the shelf of baseball players of all ages. Click on the image and you can get it for about ten bucks — a marginal investment that will provide a return over and over for years to come.

Maple Bat: Recommended

Some visitors have emailed me regarding a good choice of wooden baseball bat, specifically a maple bat.

Personally, I’m not a huge fan of the maple bats; I prefer good old ash. But then I guess that goes with my “old school” ways, doesn’t it?

However, I have used several maple bats in games and practice, and most liked
this “Brett Brothers” model.Maple MB-110, 34\

I’ll admit that one of the reasons I bought it was because I consider George Brett to be one of the greatest hitters of all time, and figured that if he was putting his name on a hitting product, he’d make sure it would live up to his Hall-of-Fame character.

The main reason I like this bat is its balance; I’ve never been fond of top-heavy bats, or bats with thin handles and huge barrels. Years ago, I used the Louisville Slugger “S44?, which was very similar in size and balance. Another thing I like is the strength of the bat. I’ve used it in about 30 games and twice as many practices and it has yet to chip or splinter — something which seems common with maple bats. The price is also easy to swallow, as it’s less than $60 from Amazon by clicking on the photo.

Catcher’s Gloves: Recommended

Through the years, I’ve used catcher’s gloves from Wilson, Rawlings, Spalding, Mizuno, and most recently, Akadema. As a youngster, and through high school, I used a glove with a double break; one break on each side of the wrist pad. It was a clumsy, heavy design, and in college switched to single-break gloves. The Rawlings gloves had a good feel in my hand, and strong, durable leather, but the leather lacing was thin and weak. Since I caught a few guys throwing over 90 MPH, the lacing around the webbing would break. So I started using Mizuno gloves, which had stronger lacing and were much lighter, thus easier to handle. I swore by the Mizuno’s until recently, when I was introduced to the Akadema “Reptilian” series.

There are a few things I love about the Akadema gloves. First, the quality of the leather (including the lacing) is top-rate. Years ago, Rawlings’ “heart of the hide” was supposedly the best leather but today’s examples don’t hold a candle to Akadema. Secondly, the unique design makes much more sense than the conventional / traditional catcher’s mitts. It is a double break, but the “second” break is way up along the top of the thumb, and actually serves to form the pocket. That design is crucial for two things: it makes it easy to catch the ball in the pocket, and it prevents thumb injuries. Conventional gloves have one long pad on the thumb side, and thumb sprains occur if you catch a hard thrower who is frequently crossing you up wild inside, or if you get a foul tip against the pad. The way these “Reptilian” gloves are designed, your thumb is in a very safe spot, away from the shock of those situations. The third thing I really like about this glove is the break-in period, which was extremely quick. In the past, I always had two catcher’s mitts: one for games, and one for practice that I’d break in. The break-in period generally took 2-3 months of catching pitchers every day. These gloves take 2-3 weeks.
This is the 32.5? catcher’s glove, suitable for younger / smaller catchers:

Akadema Praying Mantis-Catcher APM42 (32.5\'\'), Praying Mantis Series, Ball Gloves, Akadema AKA-APM42

Catchers with larger hands and frames (high school and up) will probably be more comfortable using the 33.5? glove. This is the glove that I use. It took only about two weeks to break in for game use, and is hands-down the best glove I’ve used in over 25 years of catching.

Akadema APM40 Reptilian Praying Mantis Series 33.5\